![and the color machine and the color machine](https://content.instructables.com/ORIG/FUO/P68W/J5K6URTH/FUOP68WJ5K6URTH.png)
Well it seems we have to disagree – I’m on another website preaching to everyone to learn how to make thier own colors of stains and glazes etc.
And the color machine software#
If you click on the software link, click on the English Datalyse link on the left, and then the Download link on the left. He has two links at the top for the grating and the software (it’s free). I’ll paste it below if in the unlikely event there’s a woodworker out there that might want to put one together and test dye/stain samples. I did run across this site where the guy made his own spectrometer at a very low cost. I know I saw a DIY spectrometer in a magazine article many years ago. Unfortunately spectrometers are not cheap. You would get a spectral response curve of a reference piece of furniture, and compare to your samples. It would be nice if you had a reflectance spectrophotometer (or spectrometer). You might try a large black sheet of paper with a hole cut out to isolate the area your observing. Would there also be some variation in the red oak itself that may impart a darker or lighter tone? Your right about the sample size though. I’m not surprised by the difference in the final tone.
And the color machine free#
And if anyone else wants to bring me free Dunkin’ Donuts coffee, I’ll be more than happy to help you do some color matching. And if his client ever commissions another piece in the future, its going to be incredibly easy for him to match the color.Īll in all it was a fun morning. Instead of spending hours trying to experiment with color, Ron can now hop online and order up a can of Light Brown Dye Stain. So once Ron gets the client’s approval, this is a done deal. Honestly, I don’t think we could get any closer even if we tried. We stained a larger area to confirm the match and I think we made the right choice. When it was all said and done, we decided on the Light Brown dye stain. But if we could find a color that was a happy medium between the light and dark streaks, we would be in business. Now the bamboo itself contains a range of colors from light to medium to dark brown, and mimicking the exact look would be nearly impossible. This is why its always important to test your stains on an actual scrap piece of the material you plan to work with.
![and the color machine and the color machine](https://static.wixstatic.com/media/227417_a617674fb57d4b6285fe647504c80b6c~mv2.jpg)
But all of them were, of course, affected by the red oak laying underneath the color.
![and the color machine and the color machine](https://img.alicdn.com/imgextra/i1/6000000001806/O1CN01yvcwWj1PDBrOzZTkm_!!6000000001806-0-tbvideo.jpg)
The differences were subtle: some had more red, some had more brown, others had more yellow. From left to right we have oil-based Pecan, oil-based Antique Cherry, American Cherry gel stain, Nutmeg gel stain, Light Brown water-based dye stain, and Pecan water-based wood stain. We tested numerous water and oil based stains and dyes (all General Finishes). But before diving into that craziness, we decided to take some dyes and stains from the cabinet and see if we couldn’t find a pre-made solution. So we were all prepared to pull out the pigments, dyes, lacquer and the HVLP. So if you are ever doing a match for a client, its incredibly important to manage their expectations. I would match the color perfectly, only to find the customer disappointed on delivery day because the pieces don’t look the same. I have had more than one customer ask me to refinish something made from pine so that it looks like something else made from oak. This is an important detail that many clients don’t realize. Now lets get one thing straight: there isn’t a damn thing you can do to oak to make it look like bamboo. Pretty reasonable, right? Well anyway, he’s building a custom piece for a client who wants the color to match a particular bamboo cutting board. Well, to tell you the truth, that’s my standard color matching consultation fee. This weekend, my buddy Ron from RJones Woodworks stopped by to bring me Dunkin’ Donuts coffee. The formula should always (hopefully) be consistent and if you ever need to reproduce the color again in the future, you’ll thank yourself. And if you can find the perfect color in a commercial product, I say “why not?”. Over the years, I began to realize that many times the perfect match is sitting in a can on the shelf. We used to mix all kind of crazy stuff together to get that perfect match. I was fortunate to work in a refinishing shop for a while and I had the opportunity to learn about color matching using various techniques and materials. But does it always have to be this convoluted? Let me spoil the ending for you: NO! There are so many different ways to arrive at a final color and look that it can drive you nuts! Lets see, there are alcohol and water soluble dyes in liquid and powder form, oil stains, water-based stains, pigments, toners, gel stains, glazes, and the list goes on and on. In my opinion, color matching is something of an art form.